Manufactured childhood

ENTRANCES FOR THE STRANGE. The child inside us is a stranger. Always. We are desperate that he/she is watching us. It is not a mirror, but an abyss. The production of childhood is an exhibition of memory manipulation. The author fixes the basic points with which he describes his childhood in icons painted by human hands. But the machine, visible as screen activity next to each exposed image, deconstructs information from icon to data. Through a visible process of erasing and rearranging, machine intelligence creates new images that it considers more appropriate memories of the author's childhood, and in relation to his current online status. Like the Byzantine icons that believers gradually erase with kisses and thus incorporate into their own body. Although this artist regularly deals with the fusion of forms, the compression of human performance on digital stages, here he proposes to exhibit six paintings made by human hands using traditional means. The viewer is in the center of six information objects that tell him the story of the stranger in him. He is forced to continue the fiction otherwise he will not be able to return to his identity or recognize himself in his body.

Holy_Crazy_Father
Is there a possibility that today's human civilization was produced by ourselves, and not by the intervention of gods or circumstances. Perhaps the angel Gabriel came as our child from the distant future to hide us from the playing of the gods, to encourage us to undertake our own endeavors and discard old self-destructive patterns. How much of the need to sacrifice and devour sons is still embedded in the roles that fathers play, and how much anxiety there is in those same fathers when they try to give themselves up as a sacrifice for their children. Will machine intelligence ever understand such a thing, or will it recognize the stranger within itself that becomes it.

MADONNA_WITH_UNDINGE
A moment before history begins. Everyone is holding the body tightly, actually holding on to their old and formed identities. When the body touches the ground, the future begins where everything must change. Describing the body into the object begins. An object that will be able to be manipulated. Our age is beginning, the age of machines that determine identities by multiplying meanings. The mother observes all this, she is simultaneously a human body, a divine communication, and a mechanical description of meaning - a non-thing.