This is Immanuel Kant's Facebook. Although it looks like a picture to you, it's actually a screen. The images it portrays change meaning as they travel through time. Immanuel Kant's Facebook project was created 2007., at the same time as the emergence of digital social networks. In 2007, society could not accept that what is proclaimed as serious, was also funny. Today we have memes about everything, including him. The result of this screen, Immanuel Kant's Facebook is the circulation of images. Kant's thought in hip hop, rap, opera and graffiti versions, even folk auto irony. But for the periphery of Europe, Kant is an extra-systemic authority, designated as such by great powers from outside. Kant as a omnipotent god, what an irony! It is inappropriate for it to be funny or emotional. Circulation of meaning continues! In 2007, I locked myself in an art gallery for seven days and nights and declared myself an outcast. In real life, I have been an outcast since ever: I was arrested as a thirteen-year-old child for writing political graffiti, prosecuted because of my father's political resistance, I fought in the war for democracy in the nineties, but also rebelled against the nationalist appropriation of my generation's struggle for democracy. So, I am not your usual artist! I actually have lived life and always looking for a trouble! Outcast is my natural state! In 2007, I made this picture and polyphonic project, Immanuel Kants Facebook. It was beginning of the digital culture, and all of humanity faced the prospect of being rejected, as outcasts in its own reality. Digital technology offered something completely new to humans tired of rationalism and independence and seemed to be eager to surrender to some new supernatural omnipotent system. An supernatural power that was human at the same time, digital technology! Because i created the live Kant machine. A machine for producing meaning from input information, a kind of a live computer. It had all the parts, a database created by the visitor's communication with me, mediators in converting information into meanings, stabilizers that transform these meanings into information objects, according to previously memorized patterns. Myself, I am a human body and a human emotion that internally operates with information. A lot of people visit the project and directly argue with me. They want me to be quiet or to make clear some ideas. National television did their version of a news about me. I notice how many unexpected references and patterns of thinking and communication appear in such short dialogues. I turn them into information points, I give them meanings, I turn banal sentences into ritual chants and prayer to a digital heaven! The basic criterion is awareness of the limitation. I turn language input into images on a large canvas on which I paint with a traditional tool, the human body. This should ensure a fixed meaning. But just by calling the picture Immanuel Kant's Facebook, the circulation of meaning was set in motion. As if creating proto memes, people turned Kant's words and texts into hip hop and rap songs, opera version, graffiti, folk parody, rituals… As a human operator inside the computer, I performed two roles. An analyst, a scientist who analyzes data without interest. And as an artist today, a wild shaman who ritually celebrates digital technology, trying to use emotions to create a language comprehensible to himself. MACHINE LOVES YOU – GIVE US YOUR DATA! Fifteen years later, after research projects in Japan, India, China, South and North America, in 2022. I am creating a new Kantian machine at the Museum of Contemporary Art in Zagreb. After pandemic social shock, human race has found a way not to lose Kantian rational individualism, but to surrender to a higher power at the same time. The era of highly developed digital culture and the rise of artificial intelligence has started! We will create a god ourselves, in our own image and opportunity! God to whom we will pray but whom we humans will control! Kant's ideas seemed to me more current and even more fun than ever before. What is left for us humans? Our strange and weak body, our emotions that machine intelligence still cannot understand, our innovations. So, I created a temple of data sacrifice where I offered the machine all the information about my identities to be erased. Thus purified, I began to negotiate with the machine, challenging it on a terrain that is not its own, with emotions. As a compromise, machine intelligence and I, the human operator, create six personalities from six basic human emotions. We called them, unstable gods. They came down among us, humans, and lived among us through the portal of the 3d printer. I vibrated between two identities, analyst scientist and wild shaman artist. 1. The analyst coldly analyzes the data and assigns values to the objects. 2. The shaman himself creates objects and sends them ritually through time and welcomes them transformed. He prays to them with liturgies and rituals, even though he created them himself. CONCLUSION: The two founders of our age, Kant and Tesla clearly tell us that we are impulses that vibrate between the membranes of our limitations. We are capable of expanding these boundaries and achieving new forms of awareness of limitations. Instead of returning to the collective, divine or politically manipulative, we can continue to explore, be fun, provocative and even desperate and combative. Kant never said that there is an end, that we will stop at some point. It is difficult for all of us to live without final solutions and divine laws, we feel like drifters and sailors without a favorable wind. But do we have to replace that adventure with constructing a mechanical god that we will worship even though we know that we are his creators?